| Heinrich Faber, Compendiolum musicae pro incipientibus (Braunschweig 1548) | ||
| Ten textless duos and canons employed as examples of notation and solmization technique. | – – – | |
| contents | ||||
| rubric | notes | concordances | modern editions | |
| 1. | Exemplum. Fuga duorum in unisono. | Example of the six musical voices in the chapter 2, «De Vocibus». All the note heads are blackened, except the finalis, and there is no time signature. | ||
| 2. | Aliud Exemplum. Fuga duorum in Hyperdiatessaron. | Example of the six musical voices in the chapter 2, «De Vocibus». | ||
| 3. | Exemplum. Fuga duorum in unisono. | Example of mutation in the chapter 4, «De Mutatione». All the note heads are blackened, except the finalis, and there is no time signature. | ||
| 4. | Aliud Exemplum. | Example of mutation in the chapter 4, «De Mutatione». |  | |
| 5. | Sequitur exemplum. | Example of mutation in the chapter 4, «De Mutatione». All the note heads are blackened, except the finalis, and there is no time signature. | ||
| 6. | Aliud exemplum. | Example of mutation in the chapter 4, «De Mutatione». | ||
| 7. | Exemplum simplicium Figurarum. Primus Cantus. Secundus Cantus. | Example of note values in the chapter 5, «De Figuris». | ||
| 8. | [Fuga duorum in unisono] | Exercise on note values in the chapter 5, «De Figuris». | ||
| 9. | [Fuga duorum in unisono] | Exercise on note values in the chapter 5, «De Figuris». | ||
| 10. | Exemplum de Ligaturis. Primus Cantus. Secundus Cantus. | Example of ligaturae in the chapter 5, «De Figuris». | ||
| notes |
The copy of the treatise we used, printed in facsimile by Forni (Bologna), was issued in 1594 «Ex Officina Gerlachiana» by Paul Kauffmann.
The pages are unnumbered throughout the treatise.
| literature | ||||
| Bologna: Civico Museo Bibliografico Musicale, Catalogo Gaspari online. | See the related record from the online database of this library. | |||
| Gallery of images from this source | ||||||||||||||
| Title-page | Dedication | Musical Example | ||||||||||||
