Source of duos: Various composers (1539-b)

List all the contents (29)
List by composer: gardane (23) le heurteur (2) peletier (2) sermisy (2)

List all the contents
	rubric	notes	concordances	modern editions
1.	I. cantvs. / TENOR. Hevrtevr. «Amour partes ie uous donne la chasse»		Various composers (1539-a) Salbinger (1540) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Expert, Flor Fagotto, Gardane Mönk, Bicinia II Pudelko, Bicinia Seay, Gardane Vellek, Gardane
2.	II. cantvs. / TENOR. Clavdin. «DAmour ie suis desheritee»		Various composers (1539-a) Salbinger (1540) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Expert, Flor Fagotto, Gardane Mönk, Bicinia II Seay, Gardane Vellek, Gardane
3.	III. cantvs. / TENOR. A. Gardane. «Ces facheux sotz qui mesdisent daymer»		Various composers (1539-a) Salbinger (1540) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Fagotto, Gardane Seay, Gardane Vellek, Gardane
4.	IIII. cantvs. / TENOR. A. Gardane. «De mon amy ie suis absente»		Various composers (1539-a) Salbinger (1540) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Fagotto, Gardane Seay, Gardane Vellek, Gardane
5.	V. cantvs. / TENOR. A. Gardane. «Content desir qui cause ma douleur»		Salbinger (1540) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bornstein, Italian Duos Expert, Flor Fagotto, Gardane Seay, Gardane Vellek, Gardane
6.	VI. cantvs. / TENOR. A. Gardane. «Viure ne puis content sans ta presence»		Salbinger (1540) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Fagotto, Gardane Seay, Gardane Vellek, Gardane
7.	VII. cantvs. / TENOR. A. Gardane. «Disant hellas fortune hellas»		Various composers (1539-a) Salbinger (1540) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Fagotto, Gardane Mönk, Rhau Seay, Gardane Vellek, Gardane
8.	VIII. cantvs. / TENOR. Clavdin. «Ayez pitie du grand mal que ie endure»		Various composers (1539-a) Salbinger (1540) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Expert, Flor Fagotto, Gardane Seay, Gardane Vellek, Gardane
9.	IX. cantvs. / TENOR. A. Gardane. «Le cueur de uous ma presence desire»		Various composers (1545-a)	Bellin, Rhau Fagotto, Gardane Mönk, Rhau Seay, Gardane Vellek, Gardane
10.	X. cantvs. / TENOR. A. Gardane. «A moy tout seul de mon mal me fault plaindre»		Various composers (1545-a)	Bellin, Rhau Fagotto, Gardane Seay, Gardane Vellek, Gardane
11.	XI. cantvs. / TENOR. A. Gardane. «Si iay eu du mal ou du bien»		Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Fagotto, Gardane Seay, Gardane Vellek, Gardane
12.	XII. cantvs. / TENOR. A. Gardane. «Las fortune de toy ie fais mes plaintz»		Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Fagotto, Gardane Seay, Gardane Vellek, Gardane
13.	XIII. cantvs. / TENOR. A. Gardane. «Vne sans plus ie ueulx aymer»		Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Fagotto, Gardane Seay, Gardane Vellek, Gardane
14.	XIIII. cantvs. / TENOR. A. Gardane. «Ta bonne grace et mantien gracieux»		Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Expert, Flor Fagotto, Gardane Seay, Gardane Vellek, Gardane
15.	XV. cantvs. / TENOR. A. Gardane. «Il me conuient en tout temps et sayson»		Various composers (1539-a) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Fagotto, Gardane Seay, Gardane Vellek, Gardane
16.	XVI. cantvs. / TENOR. Hevrtevr. «Mon petit cueur nest point a moy»		Various composers (1539-a) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Expert, Flor Fagotto, Gardane Mönk, Rhau Seay, Gardane Vellek, Gardane
17.	XVII. cantvs. / TENOR. A. Gardane. «Las uoulez uous que une persone chante»		Various composers (1539-a) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Fagotto, Gardane Mönk, Rhau Seay, Gardane Vellek, Gardane
18.	XVIII. cantvs. / TENOR. A. Gardane. «Robin robin uiendras tu a la ueille»		Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Fagotto, Gardane Seay, Gardane Vellek, Gardane
19.	XIX. cantvs. / TENOR. A. Gardane. «Nauray ie iamais reconfort»		Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Fagotto, Gardane Seay, Gardane Vellek, Gardane
20.	XX. cantvs. / tenor. A. Gardane. «Entre uous gentiltz galans»		Various composers (1539-a) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Fagotto, Gardane Seay, Gardane Vellek, Gardane
21.	XXI. tenor. / bassvs. A voce pari. A. Gardane. «De iour en iour tu me fais consumer»	The rubric «A voce pari» is found in the 1564 and 1586 reprints only.	Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Fagotto, Gardane Seay, Gardane Vellek, Gardane
22.	XXII. tenor. / bassvs. A voce pari. A. Gardane. «O vray dieu quil est ennuyeux»	The rubric «A voce pari» is found in the 1564 and 1586 reprints only.	Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Fagotto, Gardane Seay, Gardane Vellek, Gardane
23.	XXIII. tenor. / bassvs. A voce pari. A. Gardane. «Iouyssance uous donneray mon amy»	The rubric «A voce pari» is found in the 1564 and 1586 reprints only.	Salbinger (1540) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bornstein, Italian Duos Fagotto, Gardane Seay, Gardane Vellek, Gardane
24.	XXIIII. tenor. / bassvs. A voce pari. A. Gardane. «Qui la uouldra souhaicte»	The rubric «A voce pari» is found in the 1564 and 1586 reprints only.	Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Fagotto, Gardane Seay, Gardane Vellek, Gardane
25.	XXV. tenor. / bassvs. A voce pari. A. Gardane. «Grace uertu beaulte bonte noblesse»	The rubric «A voce pari» is found in the 1564 and 1586 reprints only.	Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Fagotto, Gardane Mönk, Rhau Seay, Gardane Vellek, Gardane
26.	XXVI. tenor. / bassvs. A voce pari. A. Gardane. «Aupres de uous secretement demeure»	The rubric «A voce pari» is found in the 1564 and 1586 reprints only.	Salbinger (1540) Various composers (1545-a)	Bellin, Rhau Fagotto, Gardane Seay, Gardane Vellek, Gardane
27.	XXVII. tenor. / bassvs. A voce pari. Peletier. «Si mon malheur me continue»	The rubric «A voce pari» is found in the 1564 and 1586 reprints only.	Various composers (1539-a) Salbinger (1540) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Expert, Flor Fagotto, Gardane Pudelko, Bicinia Seay, Gardane Vellek, Gardane Zirn, Bicinien Zschiesche, Duos
28.	XXVIII. tenor. / bassvs. A voce pari. Peletier. «Souuent amour me liure grand torment»	The rubric «A voce pari» is found in the 1564 and 1586 reprints only.	Various composers (1539-a) Salbinger (1540) Various composers (1545-a) Munich MS 260	Bellin, Ms. 260 Bellin, Rhau Bernstein, Parangon Expert, Flor Fagotto, Gardane Pudelko, Bicinia Seay, Gardane Vellek, Gardane Zirn, Bicinien Zschiesche, Duos
29.	XXIX. A. Gardane. «Amy souffres que ie uous ayme»	Not in the 1539 print.	Gero (1541), 50	Bern&Haar, Gero Vellek, Gardane

reprints
Canzoni francese a due voci (Antonio Gardane, Venice 1544)	RISM: 1544/14
Il primo libro de canzoni francese a due voci (Antonio Gardane, Venice 1552)	RISM: 1552/16
Il primo libro de canzoni francese a due voci (Antonio Gardane, Venice 1564)	RISM: 1564/13
Il primo libro de canzoni francese a due voci (Angelo Gardano, Venice 1586)	RISM: 1586/6

literature
Bornstein, «Chanson».	An article about two-part chansons, particularly the ones published in Italy.
Bornstein, Italian Duos, vol. I, p. 61-64; vol. II, p. 20-26.	A study of the Italian duo throughout the Renaissance and the Baroque.

notes

There is a strong link between this collection and Parangon (1539), which was first issued in 1538. In all likelihood the fourth book of the Parangon was edited by Gardane when he was still working in France.

The rubric «A voce pari», above chansons 21-28, is found in the 1564 and 1586 reprints only. Surprisingly, Rhau included this rubric in his anthology; that could mean either that Gardane decided to introduce the rubric after having seen Rhau's reprint or there was another Venetian reprint after that of 1544 which is missing.

Canzoni francese a due voci buone da cantare et sonare (Antonio Gardane, Venice 1539)		RISM: 1539/21
28 French chansons, plus one published only in all the reprints.	Upper part-book: «Cantus» Lower part-book: «Tenor»	contents reprints facsimiles literature notes