Source of duos: Gastoldi (1598)

List all the contents (36)
List by composer: Anonymous (4) baglioni (2) cantone (2) cima (2) gastoldi (20) rognoni g. (2) rognoni r. (2) vecchi (2)

List all the contents
	rubric	notes	concordances	modern editions
1.	[textless duo in G]			Bornstein, Gastoldi Giuliani, Gastoldi
2.	[textless duo in G]			Bornstein, Gastoldi Giuliani, Gastoldi
3.	[textless duo in D]			Bornstein, Gastoldi Giuliani, Gastoldi
4.	[textless duo in F]			Bornstein, Gastoldi Giuliani, Gastoldi
5.	[textless duo in D]			Bornstein, Gastoldi Giuliani, Gastoldi
6.	[textless duo in F]			Bornstein, Gastoldi Giuliani, Gastoldi
7.	[textless duo in F]	Based on the Italian popular tunes La Bella Franceschina and Girometta.		Bornstein, Gastoldi Giuliani, Gastoldi
8.	[textless duo in G]	Based on the solmization obbligo Ut re mi fa sol la.		Bornstein, Gastoldi Giuliani, Gastoldi
9.	[textless duo in A]			Bornstein, Gastoldi Giuliani, Gastoldi
10.	[textless duo in G]			Bornstein, Gastoldi Giuliani, Gastoldi
11.	[textless duo in G]	The duo is based on the dance Spagnoletta.		Bornstein, Gastoldi Giuliani, Gastoldi
12.	[textless duo in A]			Bornstein, Gastoldi Giuliani, Gastoldi
13.	[textless duo in G]			Bornstein, Gastoldi Giuliani, Gastoldi
14.	[textless duo in G]			Bornstein, Gastoldi Giuliani, Gastoldi
15.	[textless duo in C]			Bornstein, Gastoldi Giuliani, Gastoldi
16.	[textless duo in G]	Based on Palestrina's madrigal «Vestiva i colli e le campagne intorno».		Bornstein, Gastoldi Giuliani, Gastoldi
17.	[textless duo in A] A voci pari.			Bornstein, Gastoldi Giuliani, Gastoldi
18.	[textless duo in G] A voci pari.			Bornstein, Gastoldi Giuliani, Gastoldi
19.	[textless duo in G] A voci pari.			Bornstein, Gastoldi Giuliani, Gastoldi
20.	[textless duo in F] A voci pari.			Bornstein, Gastoldi Giuliani, Gastoldi
21.	Orfeo Vecchi. [textless duo in D]			Bornstein, Gastoldi Giuliani, Gastoldi
22.	Orfeo Vecchi. [textless duo in G]			Bornstein, Gastoldi Giuliani, Gastoldi
23.	d'Incerto. [textless duo in G]			Bornstein, Gastoldi Giuliani, Gastoldi
24.	d'Incerto. [textless duo in G]	Based on the German dance tune Braunsmaidlein, also known in Italy as Tedesca.		Bornstein, Gastoldi Giuliani, Gastoldi
25.	Serafin Canton. [textless duo in F]			Bornstein, Gastoldi Giuliani, Gastoldi
26.	Serafin Canton. [textless duo in G]			Bornstein, Gastoldi Giuliani, Gastoldi
27.	Richardo Rogniono. Canon in diapason. [Tenore:] Resolutio			Bornstein, Gastoldi Giuliani, Gastoldi
28.	Richardo Rogniono. Canon alunison. [Tenore:] Resolutio			Bornstein, Gastoldi Giuliani, Gastoldi
29.	Gio. Domenico Rognoni. [textless duo in G]			Bornstein, Gastoldi Giuliani, Gastoldi
30.	Gio. Dominico Rognoni. [Tenore:] Canon al Semiditono acuto per contrari mouimenti.			Bornstein, Gastoldi Giuliani, Gastoldi
31.	Giouan Paulo Cima. [textless duo in G]			Bornstein, Gastoldi Giuliani, Gastoldi
32.	Giouan Paulo Cima. [textless duo in F]			Bornstein, Gastoldi Giuliani, Gastoldi
33.	d'Incerto. [textless duo in A]	Based on Palestrina's madrigal «Io son ferito ahi lasso».		Bornstein, Gastoldi Giuliani, Gastoldi
34.	d'Incerto. [textless duo in G]	Based on Palestrina's madrigal «Vestiva i colli e le campagne intorno».		Bornstein, Gastoldi Giuliani, Gastoldi
35.	Hieronimo Baglioni. [textless duo in D]			Bornstein, Gastoldi Giuliani, Gastoldi
36.	Hieronimo Baglione. [textless duo in D]			Bornstein, Gastoldi Giuliani, Gastoldi

dedicatees and other people mentioned in this opus
Francesco Baglioni	Dedicatee. Place and date of the dedication: «Milan, 06.05.1598». Francesco was the father of Girolamo, who composed two of these duos.
Heir of Simon Tini, Giovanni Francesco Besozzo	Dedicators.
Filippo Lomazzo	Lomazzo is acknowledged in the dedication, and only there, as the editor of this collection.

Giovanni Giacomo Gastoldi, Il primo libro della musica a due voci (Heir of Simon Tini and Giovanni Francesco Besozzo, Milan 1598)		RISM: G559
36 textless duos by various composers.	Upper part-book: «CANTO» Lower part-book: «TENORE»	contents Dedicatees facsimiles literature

literature
Bornstein, Italian Duos, vol. II, p. 164-69.	A study of the Italian duo throughout the Renaissance and the Baroque.