Source of duos: Glareanus (1547)

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List by composer: Anonymous (1) brumel (5) dietrich (2) fevin (1) josquin (15) la rue (1) meyer (6) obrecht (1) ockeghem (1) orto (1) vacqueras (2)

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	rubric	notes	concordances	modern editions
1.	[p. 242:] Monados in Hypodorius prius exemplum ex Hercule Iodoci Pratensis. «Pleni sunt coeli»	Original setting.	Heyden (1540), 7 Various composers (1545-a), 74 Paix (1587), 1	Bellin, Rhau Jöde, Kanon Miller, Glarean Miller, Heyden Mönk, Rhau
2.	[p. 242:] Eiusdem alterum exemplum ex Petro Platensi. «Pleni sunt coeli»			Miller, Glarean
3.	[p. 244-45, ex. 32:] Hypodorij duarum uocum exemplum author Vaqueras. «Domine non secundum peccata nostra»			Frei, Glarean Miller, Glarean
4.	[p. 244-45:] ALTERVM EXEMPLVM. «Domine Ne memineris iniquitatum nostrarum»			Frei, Glarean Miller, Glarean
5.	[p. 246-47:] DVO. Hypodorij exemplum binarum uocum Iodoco Pratensi authore. «Domine non secundum peccata nostra»		Rotenbucher (1549), 80	Bodig, Roten Miller, Glarean
6.	[p. 246-47:] ITERVM duo. «Domine Ne memineris iniquitatum nostrarum»		Rotenbucher (1549), 81	Bodig, Roten Miller, Glarean
7.	[p. 257:] Monados in Aeolio primum exemplum Iacobi Hobrechthi.	Textless version.	Heyden (1540), 5 Various composers (1545-b), 106 Paix (1587), 2 Vienna MS 18832, 13	Akos, Schola Bellin, Rhau Frei, Glarean Jöde, Kanon Miller, Glarean Miller, Heyden
8.	[p. 257:] Monados in Aeolio secundum exemplum Iodoci Pratensis.	Textless version.		Frei, Glarean Miller, Glarean
9.	[p. 258:] Monados in Aeolio tertium exemplum ex eodem. «Pleni sunt coeli»	Fragments of text only under the upper voice.	Various composers (1545-b), 109	Bellin, Rhau Miller, Glarean
10.	[p. 280:] Hypolydij Monas author Gregorius Meyer.			Frei, Glarean Miller, Glarean
11.	[p. 281:] Duum. Gregorius Meyer.			Frei, Glarean Miller, Glarean
12.	[p. 288:] CANTVS / TENOR. Duum. Iodoci Pratensis de Ionico exemplum. «Ave uerum corpus Christi»	Glareanus presents both a two-voice version and a three-voice one of the same motet.		Miller, Glarean
13.	[p. 296:] Monados in Dorio exemplum Author Gregorius Meyer.			Frei, Glarean Miller, Glarean
14.	[p. 297:] Dyados in Dorio exemplum Antonij Brumel. «Qvi uenit In nomine Domini»	Original setting.	Various composers (1545-b), 74 Vienna MS 18832, 87	Akos, Schola Ambros, Gesch Bellin, Rhau Miller, Glarean Mönk, Rhau
15.	[p. 304:] Sed audiamus primum Dyadem in Monade Gregorij Meyer, in qua Altitonans supra Tenorem post Sesquitempus in diapente incedit.		Paix (1587), 10	Frei, Glarean Miller, Glarean
16.	[p. 305:] Iodocus a Prato author. «Agnus Dei qui tollis peccata mundi»		Various composers (1543), 61 Various composers (1545-a), 63	Bellin, Rhau Bornstein, Gardane Frei, Glarean Miller, Glarean Mönk, Rhau
17.	[p. 312:] Sed hisce more nostro praemittamus Monada. In qua Basis post tempus in Diapente ex Tenore proficiscitur. Monas in Phrygio. Author Gregorius Meyer.	Canon at the fifth below.	Paix (1587), 9	Frei, Glarean Miller, Glarean
18.	[p. 313:] Pleni sunt coeli.	According to C.A. Miller, this duo was attributed by some to Paul Wüst.		Miller, Glarean
19.	[p. 320:] Monas in Hypoaeolio Orto.		Heyden (1540), 6	Miller, Glarean Miller, Heyden
20.	[p. 321:] Primum Hypoaeolij exemplum Iusquini Pratensis. Pleni.	Textless version.	Various composers (1545-a), 51 Munich MS 260, 20 Vienna MS 18832, 2	Ambros, Gesch Bellin, Rhau Bellin, Ms. 260 Miller, Glarean Mönk, Rhau
21.	[p. 328:] Antiqui Lydij forma inter F & c. Authore Sixto Dietricho. DVO / BASIS «Seruus tuus sum ego»			Frei, Glarean Miller, Glarean
22.	[p. 329:] Veri Lydij Tenor inter F & f. Eodem Sixto authore. DVO / CANtus Hypolidius. «Erue Domine animam meam»			Frei, Glarean Miller, Glarean
23.	[p. 346:] Brumel in homophonia. Mixolydij primum exemplum. «Benedictus, Qui uenit in nomine Domini.»		Various composers (1545-a), 81	Bellin, Rhau Thomas, Canons
24.	[p. 347:] Mixolydij secundum exemplum. «Per illud aue prolatum»	Glareanus attributed the duo to Mouton.	Various composers (1545-a), 29 Various composers (1571), 4 Various composers (1590), 4 Gumpelzhaimer (1591), 1 Lindner (1591), 39 Gumpelzhaimer (1611), 94 Munich MS 260, 8	Arx, Phalèse Bellin, Rhau Bellin, Ms. 260 Dart, Madrigals Pudelko, Bicinia Vellek, Bicinia I
25.	[p. 354:] Hypoionici primum exemplum, Monas ex qua Dyas, Gregorio Meyer authore.			Miller, Glarean
26.	[p. 355:] Hypoionici exemplum II. Antonio Feuin authore. «Pleni sunt coeli»	Original setting.	Various composers (1543), 57 Various composers (1545-a), 68	Bellin, Rhau Bornstein, Gardane
27.	[p. 441:] Ex Missa Ivsqvini svper voces mvsicaleis «Benedictus»		Heyden (1540), 11	Miller, Glarean Miller, Heyden
28.	[p. 442:] «Qui uenit»		Heyden (1540), 10	Miller, Glarean Miller, Heyden
29.	[p. 442:] «In nomine Domini.»		Heyden (1540), 9	Miller, Glarean Miller, Heyden
30.	[p. 446:] Ionici Hypoionicique connexorum exemplum finitum ut Phrygius [p. 447:] Dorij Hypodorijque connexorum exemplum in Phrygij finitum sede		Heyden (1540), 1	Miller, Glarean Miller, Heyden
31.	[p. 448:] Dorij Hypodorijque connexorum exemplum cum Semiditono superne [p. 449:] In priore exemplo altera uocum tono leuabatur, hic eodem deprimitur, quemadmodum et in sequenti. Ionici Hypoionicique connexorum exemplum cum Ditono superne, sed non suo finitum loco.		Heyden (1540), 2	Miller, Glarean Miller, Heyden
32.	[p. 450:] Phrygij phrasis ac systema superne semitonio inferne tono adiectis, finis licentia quaesitus. [p. 451:] Dorij phrasis ac systema adiecto inferne ac superne tono, finis in diatessaron infima chorda.		Heyden (1540), 8 Munich MS 260, 56 Vienna MS 18832, 89	Bellin, Ms. 260 Miller, Glarean Miller, Heyden
33.	[p. 456-57:] Antonius Brumel. «Pleni sunt»			Miller, Glarean
34.	[p. 458-59:] Sequuntur aliae eiusdem Antonij [Brumel] Cantiones. «Benedictus qui uenit in nomine Domini»			Miller, Glarean
35.	[p. 458-59:] Antonius Brumel. Tenor / Cantus «Agnus Dei»	The upper line repeats four time the same melody.		Miller, Glarean
36.	[p. 455:] Idem Okenheim Missam ad omnem Tonum (ita enim ipse nominauit) composuit [...] Benedictus duarum uocum, ex eadem. «Benedictus»			Miller, Glarean

literature
Bologna: Civico Museo Bibliografico Musicale, Catalogo Gaspari online.	See the related record from the online database of this library.
Miller, Glarean	English modern edition of Glareanus' treatise. This is the best source of information on the treatise.

Heinrich Glareanus, Dodekachordon (Henricum Petri, Basel 1547)
36 bicinia by various composers with and without text employed as examples of composition techniques and modal theory.	contents facsimiles literature