
| Erasmus Gruber, Synopsis musica. Oder Kurtzer Inhalt, wie die Schul-Jugend […] in der Sing-Kunst abzurichten (Cristoph Fischer, Ratisbon 1673) | |
| 14 duos on the hexachord all taken from Banchieri's Cartella, 1614 edition. The four last duos – already published in the 1609 edition of the Cartella &ndash are placed at the end of Gruber's treatise, as an appendix, entitled: «SEQUUNTUR / BICINIA, / IN USUM JUVEN- / TUTIS SCHOLASTICAE, / Contra-Punctum duarum vocum super ut, re, mi, fa, sol, la. / Dni Adriani Banchieri MONACHI OLIVETANI». This appendix has no pagination. |
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| contents | ||||
| rubric | notes | concordances | modern editions | |
| 1. | [p. 4:] A. B. Exemplum Cantus beduri. Mit dem Contra-Punct. CANTUS. TENOR. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). | Banchieri (1614), p. 23 | |
| 2. | [p. 5:] A. B. Exemplum Cantus bemollis. Mit dem Contra-Punct. CANTO. TENORE. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). | Banchieri (1614), p. 23 | |
| 3. | [p. 6:] A. Banch: Exemplum Cantus beduri in Clav: sign: C. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). | Banchieri (1614), p. 13 | |
| 4. | [p. 7:] A. B. Aliud. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). | Banchieri (1614), p. 13 | |
| 5. | [p. 8:] A. B. Exemplum in Clav: Sign: G. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). | Banchieri (1614), p. 15 | |
| 6. | [p. 8:] A. B. Aliud. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). | Banchieri (1614), p. 15 | |
| 7. | [p. 9:] A. B. Exemplum Cantus B mollis in Clav: sign. C. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). | Banchieri (1614), p. 12 | |
| 8. | [p. 10:] A. B. Aliud. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). | Banchieri (1614), p. 12 | |
| 9. | [p. 11:] A. B. Exemplum in Clave sign: G. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). | Banchieri (1614), p. 14 | |
| 10. | [p. 11:] A. B. Aliud. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). | Banchieri (1614), p. 14 | |
| Sequuntur bicinia in usum iuventutis scholasticae | ||||
| 11. | Discipulus. MAGISTER. «ut re mi fa sol la» | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). In all likelihood, the source employed by Gruber was the 1614 edition of Banchieri's Cartella. | Banchieri (1609), 1 | Bornstein, Cartella |
| 12. | Discipulus. MAGISTER. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). In all likelihood, the source employed by Gruber was the 1614 edition of Banchieri's Cartella. | Banchieri (1609), 2 | Bornstein, Cartella Wilbert, Banchieri |
| 13. | Aliud. Discipulus. MAGISTER. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). In all likelihood, the source employed by Gruber was the 1614 edition of Banchieri's Cartella. | Banchieri (1609), 3 | Bornstein, Cartella Wilbert, Banchieri |
| 14. | Aliud. Discipulus. MAGISTER. | The duo is based on the solmization obbligo Ut re mi fa sol la (hexachord). In all likelihood, the source employed by Gruber was the 1614 edition of Banchieri's Cartella. | Banchieri (1609), 4 | Bornstein, Cartella |
| Gallery of images from this source | ||||||||||||||
| Title-page (1) | Title-page (2) | Musical Example | ||||||||||||