Source of duos: Lampadius (1539)

contents
	rubric	notes	concordances	modern editions
1.	[p. 42-43:] DISCANTSS. [sic] / TENOR. «Omnis caro fenum»	On p. [41:] «Sequitur Exercitium de usu & ualo / re notarum simplicium» The duo is employed as a notational exercise, as we may see in the first bars of the «Discantus», where all the note values – from maxima to quaver – are showed in descending order.	Rotenbucher (1549), 32	Bodig, Roten
2.	[p. 48-49:] TENOR. / BASSVS.	This textless duo – placed at the end of the chapter «De Ligaturis» – is employed as an example of ligatures.
3.	[p. 96-97:] TENOR. / BASSVS.	On p. [95:] «De componendis duabus vocibus. / Quomodo duae partes cantilenae apte componi debent? In compositione duarum partium observabis consonantias propinquiores, volunt enim istae partes semper circa ascensum et descensum conversare, et quasi familiaritatem invicem habere, ut cernere est in exemplo». Rotenbucher added a Latin text to this textless duo.	Rotenbucher (1549), 99	Bodig, Roten

literature
Bologna: Civico Museo Bibliografico Musicale, Catalogo Gaspari online.	See the related record from the online database of this library.

Gallery of images from this source

Auctor Lampadius, Compendium musices (Mathias Apiarius, Bern 1539)
Three duos employed as examples of notation and composition technique. The pages of the treatises are not numbered.	contents facsimiles literature