Source of duos: Puliti (1605)

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Gabriello Puliti, Scherzi, capricci et fantasie per cantar a due voci (Giacomo Vincenti, Venice 1605)		RISM: P5648
16 textless duos. The unicum lacks the Tenore part-book. Furthermore, the last leaf (p. 19-20) was torn apart: this precludes us from reading the second third of the last piece and almost the whole Tavola.	Upper part-book: «CANTO». Only the upper part-book survives.	contents Dedicatees facsimiles literature

dedicatees and other people mentioned in this opus
Pietro dell'Argento «da Trieste»	Dedicatee. Place and date of the dedication: «Venice, 26.09.1605»

contents
	rubric	notes	concordances	modern editions
1.	L'Argenta.
2.	La Gabriela.
3.	La Triestina.			Pahor, Puliti
4.	La Violina.
5.	La Politiana.
6.	La Cauazza.
7.	La Piranese			Pahor, Puliti
8.	La Muglesana.
9.	La Corrente
10.	L'Isolana.			Pahor, Puliti
11.	La Pulita
12.	La Seconda
13.	La Sfetiza.
14.	La Tristana.
15.	La Metamorfosi	The rubric «La Metamorfosi» refers to the incessant changing of the clefs. It is possible that this exercise was a preparation to playing «alla bastarda».
16.	Intendami chi puo che m'intend'io.	This could be an exercise on ligaturae.

literature
Bornstein, Italian Duos, vol. II, p. 177-79.	A study of the Italian duo throughout the Renaissance and the Baroque.
Bologna: Civico Museo Bibliografico Musicale, Catalogo Gaspari online.	See the related record from the online database of this library.

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